By Kathleen S. Lamp
Lamp starts via learning rhetorical treatises, these texts such a lot regular to students of rhetoric, and strikes directly to these most glaringly utilizing rhetorical options in visible shape. She then arrives at these items least recognizable as rhetorical artifacts, yet might be most important to the day-by-day lives of the Roman people—coins, altars, wall portray. This development additionally captures the improvement of the Augustan political delusion that Augustus used to be destined to rule and lead Rome to greatness as a descendant of the hero Aeneas.
A urban of Marble examines the institution of this fable in nation rhetoric, strains its stream, and eventually samples its well known receptions and variations. In doing so, Lamp inserts a long-excluded even though major audience—the universal humans of Rome—into modern understandings of rhetorical historical past and considers Augustan tradition as major in shaping civic id, encouraging civic participation, and selling social advancement.
Lamp techniques the connection among classical rhetoric and Augustan tradition via a transdisciplinary method drawn from archaeology, paintings and architectural background, numismatics, classics, and rhetorical experiences. by means of doing so, she grounds Dionysius of Halicarnassus’s claims that the Principate represented a renaissance of rhetoric rooted in tradition and a go back to an Isocratean philosophical version of rhetoric, hence supplying a counterstatement to the “decline narrative” that rhetorical perform withered within the early Roman Empire. therefore Lamp’s paintings offers a step towards filling the disciplinary hole among Cicero and the second one Sophistic.
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A City of Marble: The Rhetoric of Augustan Rome (Studies in Rhetoric/Communication) by Kathleen S. Lamp